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Pinceau, encre et papier nu

Encre zen

La peinture à l’encre des temples zen du Japon, et des ateliers qui l’ont poursuivie. Des montagnes laissées à moitié dans la brume, des gibbons dans les arbres, un chat endormi sur le papier nu, Bodhidharma qui vous regarde droit dans les yeux. Sesson, Hakuin, Sengai et les moines autour d’eux travaillaient presque uniquement en noir, et laissaient la plus grande partie de la feuille intacte.

20 tableaux, choisissez-en un à assembler

Dreaming Cat Hōzōbō Shinkai, mid-17th century Portrait of Bodhidharma Hakuin Ekaku, mid-18th century Landscape of the Four Seasons (Eight Views of the Xiao and Xiang Rivers) Sōami, early 16th century Daoist Master Fei Zhangfang Sesson Shūkei, ca. 1555–61 Monk Zhaozhou and Dog, with Geese and Mynah Unkoku Tōeki, first half 17th century Zhou Maoshu Admiring Lotuses Kaihō Yūsetsu, mid-17th century Landscape in the Moonlight Attributed to Yōgetsu, probably 18th or 19th century “Tenmangū,” Sugawara no Michizane as Tenjin Traveling to China Sengai Gibon, early 19th century Landscape with Pavilion Kenkō Shōkei 賢江祥啓, 1478–80 Pavilion on Mountain Stream In the Style of Sesshū Tōyō 雪舟等楊, 17th century Gibbons in a Landscape Sesson Shūkei 雪村周継, ca. 1570 The Tale of Genji Attributed to Kaihō Yūsetsu, 17th century Kannon in a Lotus Pond Hakuin Ekaku, 1767 Bird After Kenkō Shōkei Landscape Formerly attributed to Sōami, 17th century Kingfisher and Bamboo Formerly attributed to Sesshū Tōyō 雪舟等楊, 19th century Kannon by a Lotus Pond Hakuin Ekaku, 1750s Moon amid Clouds Inscription by Seisetsu Shūcho, early 19th century Landscape Follower of Sesson Shūkei, 16th century Landscape of the Four Seasons Unkoku Tōgan, late 16th–early 17th century