← all styles

After the light

Post-Impressionism

Where colour turns structural and personal. The coiling brushwork of Van Gogh, Gauguin's flat heat, Seurat's dots, Rousseau's dreamed jungles. Feeling built deliberately, mark by mark.

As a puzzle

Texture is the gift here. Directional strokes and saturated colour make pieces snap into recognition, while the flatter, quieter passages are the trickier stretch.

A good size here: 80–300 pieces.

25 pictures, pick one to build

Wheat Field with Cypresses Vincent van Gogh, 1889 Shoes Vincent van Gogh, 1888 L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911) Vincent van Gogh, 1888–89 La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930) Vincent van Gogh, 1889 Irises Vincent van Gogh, 1890 Madame Roulin and Her Baby Vincent van Gogh, 1888 Self-Portrait with a Straw Hat (obverse: The Potato Peeler) Vincent van Gogh, 1887 Women Picking Olives Vincent van Gogh, 1889 First Steps, after Millet Vincent van Gogh, 1890 Oleanders Vincent van Gogh, 1888 Cypresses Vincent van Gogh, 1889 Roses Vincent van Gogh, 1890 Olive Trees Vincent van Gogh, 1889 Peasant Woman Cooking by a Fireplace Vincent van Gogh, 1885 Sunflowers Vincent van Gogh, 1887 The Potato Peeler (reverse: Self-Portrait with a Straw Hat) Vincent van Gogh, 1885 Bouquet of Flowers in a Vase Vincent van Gogh, 1890 The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge Henri de Toulouse-Lautrec, 1892 Ia Orana Maria (Hail Mary) Paul Gauguin, 1891 Two Women Paul Gauguin, 1901 or 1902 The Streetwalker Henri de Toulouse-Lautrec, ca. 1890–91 The Repast of the Lion Henri Rousseau (le Douanier), ca. 1907 Woman before a Mirror Henri de Toulouse-Lautrec, 1897 Émilie Henri de Toulouse-Lautrec, late 1890s Albert (René) Grenier (1858–1925) Henri de Toulouse-Lautrec, 1887