Venice and its mainland, from gold to velvet
Venetian Renaissance
Painting in Venice and the towns of its mainland, from altarpieces on gold to the great canvases of Tintoretto and Veronese. Bartolomeo Vivarini’s saint reading against gold, Cima’s three saints in red and green, Catena’s shepherds kneeling at a wooden stable, Moretto’s Christ alone among the animals of the wilderness, Moroni’s Lucrezia Vertova in her white veil, Titian’s Venus reclining while a young man plays the lute, Veronese’s Mars and Venus with Cupid and a horse, and Tintoretto’s Finding of Moses on a green riverbank.
As a puzzle
Rich and warm. The reds, golds and blues of the robes are where to begin, and the gold grounds of the earlier panels fill in quickly. Tintoretto and Veronese crowd their canvases with figures and give a high count something to do; the portraits and the darker canvases, the senator in red and the duke in black, are slower, so keep those moderate.
A good size here: 50–200 pieces.
Subjects here: Sacred ArtPortraitsMyths and Legends
20 pictures, pick one to build