White muslin, firm outlines and Roman hills
Neoclassicism
Rome and Paris, from about 1760 to 1830, when painters looked back to ancient sculpture and drew a clear, firm line. Batoni’s young man in a red coat beside a gilded table, Mengs’s portrait of the scholar Winckelmann with an open book, Villers’s young woman drawing against a bright window, Talleyrand at his desk and his wife in white, and Simon Denis’s small oil sketches of the hills at Tivoli, painted out of doors.
As a puzzle
Mostly portraits, and they behave well. Faces, a red coat, a red turban and gold braid give you strong places to begin, and the furniture and the folds of white muslin follow. The slow stretches are the plain brown and green grounds behind the sitters and the pale skies of the Italian sketches, wide and nearly even. Keep the count moderate.
A good size here: 50–200 pieces.
Subjects here: PortraitsLandscapesMountainsRivers and Lakes
16 pictures, pick one to build